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For nearly twenty years, experimental filmmaker Robert Banks has been inspiring praise for his short films from avid movie junkies, critics, and other film auteurs from across the globe. From the deconstructionist satire, MPG: Motion Picture Genocide, to the far-reaching critique of image co-modification and cultural martyrdom in the infamous X: The Baby Cinema, Banks has shown a brillance that continues to be underappreciated. So it should come as no surprise that MOCA, in collaboration with Banks, will show seven of his best know short films, complete with new original scores composed the night of by audio/cut-up collective, The Lusty Moors.