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Multiple Fascinations: Dutch and Flemish Prints From Bruegel to Rembrandt
Wednesday October 25, 2006
Wesleyan University
283 Washington St
Middletown, Connecticut 06457 Get Directions
From the satire of Pieter Bruegel's peasants to the contemplative gaze of Rembrandt's self-portraits, sixteenth- and seventeenth-century Dutch and Flemish prints delight and inspire. As part of a Wesleyan University seminar, students selected prints from the treasures of the Davison Art Center collection to discuss what fascinated them most. The exhibition explores seventeenth-century ways of ordering scientific and mystical knowledge, narrative techniques, the representation of peasants, the Dutch landscape and the evolution of the "unfinished" print.
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