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    <title>Upcoming: San Francisco Bay Area Events</title>
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    <title>Jul  8, 2009: Jonathan Littman &amp; Marc Hershon discuss and sign I Hate People!: Kick Loose from the Overbearing and Underhanded Jerks at Work and Get What You Want Out of Your Job at Kepler&#39;s Books</title>
    <description><![CDATA[&quot;I Hate People! is the definitive guide for creating a job you love – even though you are trapped with jerks and creeps of every stripe. Littman and Hershon tell great stories, give inspired advice, and wrap it all in the most fun management book since Orbiting the Giant Hairball.&quot; --Robert I. Sutton, author of The No Asshole Rule and professor of management science and engineering, Stanford University <br /><br />
Whether your company has 10 employees or 10,000, you must grapple with people you can&#39;t stand in the office. Luckily Jonathan Littman and Marc Hershon have written I Hate People!, a smart, counter-intuitive, and irreverent turn on the classic workplace self-help book that will show you how to identify the people you hate, while revealing the strategies to neutralize them. <br /><br />
A contributing editor for Playboy, Jonathan Littman is the coauthor of The Ten Faces of Innovation. He has also written two nonfiction books about famous computer hackers, The Watchman and The Fugitive Game. <br /><br />
Marc Hershon is a branding expert who has dreamt up names for countless hit products, including BlackBerry, Swiffer, Pentium, and Dasani. He is also a comedy veteran who has worked closely with Jerry Seinfeld, Dana Carvey, Paul Reiser, and Robin Williams.<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 00:20:46 -0700</pubDate>
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    <xCal:summary>Jonathan Littman &amp; Marc Hershon discuss and sign I Hate People!: Kick Loose from the Overbearing and Underhanded Jerks at Work and Get What You Want Out of Your Job</xCal:summary>
    <xCal:dtstart>2009-07-08T19:30:00Z</xCal:dtstart>
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    <title>Jul 28, 2009: Michealene Risley &amp; Jan Yanehiro discuss and sign This Is Not the Life I Asked For: 50 Ways to Keep Your Head Above Water When Life Keeps Dragging You Down at Kepler&#39;s Books</title>
    <description><![CDATA[Authors Jan Yanehiro and Michealene Cristini Risley know one thing for certain about the success of their book, This Is Not the Life I Ordered, life still keeps sending each of them curveballs!    <br /><br />
After their first book tour, Jan struggled through an unexpectedly messy divorce, a move to San Francisco and a new job as the Founding director of the School of Multi-Media Communications at the Academy of Arts.  Michealene went off to Zimbabwe to film a documentary about the rape and abuse of infants there, and ended up in a Zimbabwe prison and deported to South Africa.    <br /><br />
Join the authors as they share their continued stories with humor and fortitude.  Michealene will also share a sneak preview of her upcoming documentary, “Tapestries of Hope.” In good times and in bad, Jan and Michealene both realize that, “Yes, life is never what you order.”<br />
“These women inspire us to go for the gold in our lives. They all deserve 10s!” --Kristi Yamaguchi<br />
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    <pubDate>Sun, 05 Jul 2009 00:24:32 -0700</pubDate>
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    <xCal:summary>Michealene Risley &amp; Jan Yanehiro discuss and sign This Is Not the Life I Asked For: 50 Ways to Keep Your Head Above Water When Life Keeps Dragging You Down</xCal:summary>
    <xCal:dtstart>2009-07-28T19:30:00Z</xCal:dtstart>
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    <title>Jul 29, 2009: Kevin Starr discusses and signs Golden Dreams: California in an Age of Abundance, 1950 - 1963 at Kepler&#39;s Books</title>
    <description><![CDATA[Kevin Starr&#39;s acclaimed multi-volume Americans and the California Dream is an unparalleled work of cultural history. In this volume, Starr covers the crucial postwar period when the California we know today first burst into prominence. <br /><br />
Starr brilliantly illuminates the dominant economic, social, and cultural forces in California in these pivotal years. In a powerful blend of telling events, colorful personalities, and insightful analyses, Starr examines such issues as the overnight creation of the postwar California suburb, the rise of Los Angeles as Super City, the reluctant emergence of San Diego as one of the largest cities in the nation, and the decline of political centrism. He explores the Silent Generation and the emergent Boomer youth cult, the pervasive influence of Zen Buddhism and other Asian traditions in art and design, the rise of the University of California and the emergence of California itself as a utopia of higher education, freeway and water projects of heroic magnitude, outdoor life and the beginnings of the environmental movement. More broadly, he shows how California not only became the most populous state in the Union, but in fact evolved into a mega-state en route to becoming the global commonwealth it is today. <br /><br />
Golden Dreams continues an epic series that has been widely recognized for its signal contribution to the history of American culture in California. It is a book that transcends its stated subject to offer a wealth of insight into the growth of the Sun Belt and the West and indeed the dramatic transformation of America itself in these pivotal years following the Second World War.<br />
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    <pubDate>Sun, 05 Jul 2009 00:26:36 -0700</pubDate>
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    <xCal:summary>Kevin Starr discusses and signs Golden Dreams: California in an Age of Abundance, 1950 - 1963</xCal:summary>
    <xCal:dtstart>2009-07-29T19:30:00Z</xCal:dtstart>
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    <title>Aug  4, 2009: Local author Fan Wu discusses and signs her new novel Beautiful As Yesterday at Kepler&#39;s Books</title>
    <description><![CDATA[Stretching from mid-century China to both coasts of the United States at the turn of the millennium, Beautiful as Yesterday tells the powerful and captivating story of three Chinese women from the same family. It is a penetrating exploration of what it means to belong, what it means to be a family, and the impact of history and memories on one&#39;s life. <br /><br />
&quot;A delicate and brilliant novel on the arguments, triumphs, loves and differences of a Chinese family in America.&quot;-- Xinran, author of China Witness and Good Women of China <br /><br />
Fan Wu grew up on a state-run farm in southern China, where her parents were exiled during the Cultural Revolution. Her debut novel, February Flowers, has been translated into eight languages, and her short fiction, besides being anthologized and nominated for the Pushcart Prize, has appeared in Granta, The Missouri Review, Ploughshares, and elsewhere. Wu holds an M.A. from Stanford University and currently lives in Santa Clara, California. Please visit her website at www.fanwuwrites.com.<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 00:28:33 -0700</pubDate>
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    <xCal:summary>Local author Fan Wu discusses and signs her new novel Beautiful As Yesterday</xCal:summary>
    <xCal:dtstart>2009-08-04T19:30:00Z</xCal:dtstart>
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    <title>Aug 13, 2009: Howard Wilshire discusses and signs The American West at Risk: Science Myths, and Politics of Land Abuse and Recovery at Kepler&#39;s Books</title>
    <description><![CDATA[Presented by the Committee for Green Foothills<br /><br />
This timely book is science-based, but explains in layman&#39;s terms the convergent threats that the West, our country, and the world currently face. The authors address such current issues as America&#39;s fossil fuel depletion, increased greenhouse gas emissions, tightening water supply, the problems of expanding nuclear power plants, and the polluting effects of urban and industrial wastes. They also explain how misuse of the land has impaired the natural functions that once produced clean air and water with no energy or monetary costs, and have threatened or extinguished many native species, while enhancing the spread of pollution.  <br /><br />
Howard Wilshire earned a Ph.D. in Geology from UC Berkeley. His 35-year U.S. Geological Survey career included studies of processes operating in the earth&#39;s upper mantle and lower crust, and broad-ranging studies on geologic processes at the land surface, focused on environmental impacts of human activities in arid lands. A long-time member of the Committee for Green Foothills, Howard served as president of CGF during its 20th year. He is Board Chairman of Public Employees for Environmental Responsibility (PEER).<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 00:30:46 -0700</pubDate>
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    <xCal:summary>Howard Wilshire discusses and signs The American West at Risk: Science Myths, and Politics of Land Abuse and Recovery</xCal:summary>
    <xCal:dtstart>2009-08-13T19:30:00Z</xCal:dtstart>
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    <title>Aug 31, 2009: David Mas Masumoto discusses and signs The Wisdom of the Last Farmer: Harvesting Legacies from the Land at Kepler&#39;s Books</title>
    <description><![CDATA[Hailed by The New York Times as &quot;A poet of farming&quot; and the Los Angeles Times as the &quot;Rockstar Farmer&quot; who &quot;uses his farm as Thoreau did his Walden Pond,&quot; David Mas Masumoto weaves together stories of family and farming, life and death to reveal age-old wisdom that is fast disappearing—and urgently needed.  When Slow Food activist David Mas Masumoto’s father has a stroke in the sprawling fields of their farm, the reality of his father’s mortality drives Masumoto to reevaluate the significance and meaning of farming in an information-driven, modern world. As Masumoto nurses his father back to health, and becomes a teacher to the master who had once schooled him, he reclaims the practical and emotional wisdom that they and their ancestors had learned from working the land. Realizing that he himself needs to pass on a wealth of knowledge to the next generation, he writes this impassioned narrative—part memoir, part life instruction—about re-connecting to the land.<br />
Masumoto is the award-winning author of Epitaph for a Peach and other books, popular columnist, spokesperson for organic farming, and a fellow at The Kellogg Foundation. A third-generation farmer, he grows certified organic peaches, nectarines, and grapes on his family’s eighty-acre California farm.<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 00:33:58 -0700</pubDate>
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    <xCal:summary>David Mas Masumoto discusses and signs The Wisdom of the Last Farmer: Harvesting Legacies from the Land</xCal:summary>
    <xCal:dtstart>2009-08-31T19:30:00Z</xCal:dtstart>
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    <title>Aug 19, 2009: Melanie Gideon discusses and signs The Slippery Year at Kepler&#39;s Books</title>
    <description><![CDATA[“We are all so curious. Hungry for the truth. If only we could ask the questions we really want to ask of each other and get the real answers. Like how many times a month do you have sex? What prescription drugs are you on? Are you happy? Really happy? Happy enough?”<br /><br />
For anybody who has ever wondered privately Is this all there is, Melanie Gideon’s poignant, hilarious, exuberant meditation, The Slippery Year, chronicles a year in which she confronts both the fantasies of her receding youth and the realities of midlife with a husband, a child, and a dog (one of whom runs away). She reflects on the exigencies of domesticity—the need for a household catastrophe plan, the fainting spell occasioned by the departure of her nine-year-old son for camp, the mattress wars, and the carpool line. With tenderness, unsparing honesty, and uproarious wit, Gideon brings us back again and again to the sweetness of ordinary pleasures and to life’s most enduring satisfactions. She captures perfectly that moment right before everything changes and the things we have loved forever begin to fall away for the first time.<br /><br />
The Slippery Year is the story of a woman’s quest to reignite passion, beauty, and mystery and discover if “happily ever after” is a possibility after all. <br /><br />
“Ever wonder what’s running through your wife’s mind? Read The Slippery Year. Gideon has an utterly charming way of turning the constant compromises of married life into riotous poetic insight.”<br />
—Po Bronson, author of NutureShock<br /><br />
“In this marvelous memoir Ms. Gideon appears to be channeling everything I’ve ever felt, thought, feared, hoped about motherhood.”<br /><br />
—Ayelet Waldman author of Bad Mother, a Chronicle of Maternal Crimes Minor Calamities and Occasional Moments of Grace<br />
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    <pubDate>Sun, 05 Jul 2009 00:39:37 -0700</pubDate>
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    <xCal:summary>Melanie Gideon discusses and signs The Slippery Year</xCal:summary>
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    <title>Jul 23, 2009: Wayne &quot;The Train&quot; Hancock, real deal country w/Joe Buck, psychobilly at Caspar Inn</title>
    <description><![CDATA[Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing--that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. <br /><br />
Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never &quot;retro;&quot; bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie. Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. <br /><br />
If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. <br /><br />
Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what&#39;s wrong with that? Wayne&#39;s disdain for the slick swill that passes for real deal country is well known. Like he&#39;s fond of saying: &quot;Man, I&#39;m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That&#39;s me.&quot; <br /><br />
Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight. <br /><br />
&quot;A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he&#39;s trying desperately to preserve.&quot; —AllMusic.com <br /><br />
The once anti-Nashville Joe Buck gained notoriety as the guitarist of Th&#39; Legenday Shack Shakers. As Hank III&#39;s villianous sideman, the snarling upright bass player became infamously recognizable. Joe Buck Yourself is now a bonefide evil, one man band. This unique blend of hellbilly punkrock ain&#39;t your grandma&#39;s hillbilly music. Joe Buck Yourself!<br />
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    <pubDate>Sun, 05 Jul 2009 01:28:54 -0700</pubDate>
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    <xCal:summary>Wayne &quot;The Train&quot; Hancock, real deal country w/Joe Buck, psychobilly</xCal:summary>
    <xCal:dtstart>2009-07-23T21:30:00Z</xCal:dtstart>
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    <title>Jul 25, 2009: Bumpus, soul, alternative, pop - live from Chicago! at Caspar Inn</title>
    <description><![CDATA[It was the late 90&#39;s and apartments were cheap in Chicago&#39;s Rogers Park. Actually, I believe they still are. But back then they were the cheapest in town, and quite a few college-aged kids swarmed into the neighborhood as a result. Some went to Loyola, some to Northwestern, some dropped out and got mediocre jobs at cafés and such, and some seemed to party for a living (which is good work if you can get it).<br /><br />
Like college-aged kids the world over, most of them were extraordinarily interested in music. We were no different. The apartment I shared with a couple of other guys on Pratt avenue became a sort of hub for listening to weird music, watching strange independent movies, smoking what in retrospect seems like a never-ending tsunami of cigarettes, and indulging in the most popular iniquities available. Nothing too crazy, just the usual booze and such for the most part. There are some great stories from those days.<br /><br />
I can&#39;t remember who brought it over, but one afternoon somebody put on a Sly and the Family Stone record. Most of the time when you consider these moments in retrospect, you tend to exaggerate how you reacted at the time to something that would later turn out to be important. But I remember quite clearly that upon our very first listen we freaked the hell out. It was so... perfect. I mean, each song had huge, glaring imperfections, but somehow they came together to form something much greater than the sum of it&#39;s parts. We fell in love with it, and spent the better part of the next ten years trying to figure out how to do what Sly had done so seemingly effortlessly back in the 70&#39;s.<br /><br />
Our timing was very good. It just so happens that the whole country had gotten into a 70&#39;s retro phase around then, and as a result we were able to book shows around town without too much trouble even though we were just terrible back then. None of us really knew how to play yet, and we lacked the experience to understand that being sloppy is only cool when you are able to project to the audience that you could have done it right if you had wanted to. It took us some years to hone the music into what we were hoping for, but the audiences we encountered were very forgiving, and in time we got the hang of it.<br /><br />
We began traveling. It turned out that there were a lot of clubs all over the midwest that really enjoyed what we were doing. Many folks wanted to dance, and we provided an alternative to the Alternative bands that were moping their way across the country, leaving everybody feeling so-so. 70&#39;s retro had made way for indecisive ennui in the public forum, but for some reason the crowds gave us a pass. Except for Rockford. They freakin&#39; hated us in Rockford.<br /><br />
When we finally made it all the way out to New York it worked out so well that we&#39;ve tried to get back at least once a year since, even though the drive has almost killed us all on a couple of occasions, most notably in an incident involving a heavy trailer and black ice. It&#39;s amazing we didn&#39;t all die. Instead, except for a few bumps and bruises, all was well. We even finished the tour.<br /><br />
As our name got out there, we started to get offered some really great shows. At one point we got the chance to open for Maceo Parker. For those unfamiliar, he was James Brown&#39;s saxophonist for many years, and he&#39;s without question one of the funkiest men alive. He invited us up to dance on stage with him at the show, which we did, so whatever else happens I can die a happy man. Other folks we&#39;ve had the wonderful luck to open for along the way have been (in no particular order): War (yes, they played lowrider), the Roots (?uestlove is even better live), Dr. John (at House of Blues, which was tons of fun), Jurrasic 5 (before we knew who they were actually, and boy did they rock), and just recently in the summer of &#39;08 we were on a bill with the one and only Bob Dylan at the Aspen Snowmass Jazz Festival. To my knowledge, there is no jazz at that jazz festival, by the way. But as festivals go, and we&#39;ve played a ton of them all across the country, I can safely say it rules.<br /><br />
Now we&#39;re making it all the way out west as well, with shows in parts of California, so I guess it&#39;s fair to say we&#39;ve covered the country coast to coast. People still seem to enjoy what we&#39;re doing, and we finally feel like we&#39;re playing the kind of music we set out to play, which is probably the most important thing to us. Our most recent record, All the People, is really the first record we&#39;ve ever made that sounds like what we set out to do in the first place. And the record we&#39;re gearing up to make... Well, we&#39;ll see, but it&#39;s looking like we may be even closer to getting it right. It&#39;s funny, though. Now that we&#39;re actually able to make stuff that sounds kind of like Sly, we usually don&#39;t. We found our own identity at some point along the way, and now we don&#39;t have to try to be like anything else, really. Which is nice.<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 02:05:48 -0700</pubDate>
    <dc:date>2009-07-05T02:05:48-07:00</dc:date>
    <xCal:summary>Bumpus, soul, alternative, pop - live from Chicago!</xCal:summary>
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    <title>Jul 18, 2009: Things We Made at The Dark Room Theatre</title>
    <description><![CDATA[<a rel="nofollow" HREF="http://s255.photobucket.com/albums/hh156/JesseFe/?action=view&amp;amp;current=09Monthly_ThingsWeMade.jpg"><img src="http://i255.photobucket.com/albums/hh156/JesseFe/09Monthly_ThingsWeMade.jpg" BORDER=0></a><br /><br />
“Things We Made” is a comedy show that presents a salad of wit, characters, videos, illustrations, movement and music. It’s an atmosphere to share unconventional and often brilliant creations. Patrick Bulger and Jesse Fernandez host this monthly conduit of San Francisco’s original and delectable humor.<br /><br />
<a rel="nofollow" HREF="http://s255.photobucket.com/albums/hh156/JesseFe/?action=view&amp;amp;current=Photo55.jpg"><img src="http://i255.photobucket.com/albums/hh156/JesseFe/Photo55.jpg" BORDER=0></a><br /><br />
&quot;Things We Made&quot; was featured in the 2008 and 2009 San Francisco Sketchfests, The 2009 Sacramento AllSketch Festival, was runner-up in the 2009 National College Funny Film Competition, and its performers have been seen in The Boston Comedy Competition, Comedy Central&#39;s &quot;Open Mic Fights,&quot; Comedy Central&#39;s &quot;Live at Gotham,&quot; The San Francisco International Comedy Competition, The US Air Guitar National Championship, and Montreal&#39;s &quot;Just for Laughs&quot; comedy festival. <br /><br />
When: 10:00pm, 7/18/09<br /><br />
What: A comedy show called &quot;Things We Made&quot;<br /><br />
Who: Chris Garcia (The Onion’s “Aristocrat Award-winner”), Reid Faylor (National College Comedy Competition-winner), Michael Sanchez (Comedians You Should Know Show) and the Things We Made cast!<br /><br />
Where: The Dark Room Theater on 2263 Mission Street (between 18th and 19th), San Francisco, CA 94110<br /><br />
Cost: $10<br /><br />
For more info: 415-401-7987, ThingsWeMade.com, DarkRoomSF.com<br /><br />
This month’s guests:<br /><br />
<a rel="nofollow" HREF="http://s255.photobucket.com/albums/hh156/JesseFe/?action=view&amp;amp;current=ChrisGarciaonToilet.jpg"><img src="http://i255.photobucket.com/albums/hh156/JesseFe/ChrisGarciaonToilet.jpg" BORDER=0></a><br /><br />
Chris Garcia is one of the hottest young stand-up comics working today. His absurdist take on street and pop culture coupled with his upbringing as a first generation Cuban American have singled him out, with winning performances at the San Francisco Comedy Club Competition, the Stand Up Comedy Olympics, and the Onion&#39;s Aristocrat Awards.<br /><br />
<a rel="nofollow" HREF="http://s255.photobucket.com/albums/hh156/JesseFe/?action=view&amp;amp;current=ReidFaylor.jpg"><img src="http://i255.photobucket.com/albums/hh156/JesseFe/ReidFaylor.jpg" BORDER=0></a><br /><br />
Reid Faylor won the 2008 Funniest Person in Cincinnati Contest AND the 2009 National College Funny Film Competition, and he was runner up in the 2008 National College Stand-up Competition. He is an independent cartoonist, comedy writer, and stand up comedian. His stand up has a vaguely abstract style full of illogical stories, non sequiturs and music-accompanied absurdities, in the same vein as Mitch Hedberg, Zach Galifianakis and Jack Handey.<br /><br />
<a rel="nofollow" HREF="http://s255.photobucket.com/albums/hh156/JesseFe/?action=view&amp;amp;current=MichaelSanchez.jpg"><img src="http://i255.photobucket.com/albums/hh156/JesseFe/MichaelSanchez.jpg" BORDER=0></a><br /><br />
Michael Sanchez is a co-founder of the groundbreaking “Comedians You Should Know Show.” In addition to writing and directing a number of award-winning comedic shorts, he is currently in post-production on his first feature film, “The Return of Great Guy.”<br />
]]></description>
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    <title>Jul 19, 2009: The Trespassers William at Hemlock Tavern</title>
    <description><![CDATA[Singer Anna Lynne Williams has a crystal clear voice made up of shyness, loneliness and quiet despair. She and her band create a sort of space country sound.<br />
]]></description>
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    <title>Jul 15, 2009: So Many Dynamos at Hemlock Tavern</title>
    <description><![CDATA[So Many Dynamos is a band intent on not half-a**ing anything, especially their infectious sounds.<br />
]]></description>
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    <title>Aug  2, 2009: Japandroids at Hemlock Tavern</title>
    <description><![CDATA[Hailing from Vancouver, Canada, the band plays garage, rock music.<br />
]]></description>
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    <pubDate>Sun, 05 Jul 2009 09:57:45 -0700</pubDate>
    <dc:date>2009-07-05T09:57:45-07:00</dc:date>
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    <xCal:dtstart>2009-08-02T21:00:00Z</xCal:dtstart>
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    <title>Jul 31, 2009: The Castanets at Hemlock Tavern</title>
    <description><![CDATA[The Castanets have an eerie, open sound and a certain American folk-country spirit. Raposa&#39;s voice has a world-weary drawl, quiet and moving, which is representative of the band&#39;s sound. The band has mastered the art of tension and release for emotive effect.<br />
]]></description>
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    <title>Jul 30, 2009: TV Ghost at Hemlock Tavern</title>
    <description><![CDATA[TV Ghost is a &quot;gloomy, sometimes even sludgy stomp punk band out of Lafayette, Indiana.&quot; Impose Magazine.<br />
]]></description>
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    <title>Aug 11, 2009: Bat for Lashes at Hemlock Tavern</title>
    <description><![CDATA[Bat For Lashes is fronted by the ethereal Kate Bush-like vocals of Natasha Khan. The band creates atmospheric, almost hymn-like music, weaving wicked melodies around simple instrumentation.<br />
]]></description>
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    <title>Jul 22, 2009: The Everyday Visuals at Hemlock Tavern</title>
    <description><![CDATA[The Everyday Visuals blend a world of influences, creating hook-filled melodies and gaining fans throughout the Northeast.<br />
]]></description>
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    <title>Aug  8, 2009: Barbara Manning at Hemlock Tavern</title>
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]]></description>
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    <comments>http://upcoming.yahoo.com/event/3034528/#comments</comments>
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    <geo:long>-122.42</geo:long>
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    <dc:date>2009-07-05T09:58:50-07:00</dc:date>
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]]></description>
    <guid>http://upcoming.yahoo.com/event/3034522/</guid>
    <link>http://upcoming.yahoo.com/event/3034522/</link>
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]]></description>
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    <link>http://upcoming.yahoo.com/event/3034541/</link>
    <comments>http://upcoming.yahoo.com/event/3034541/#comments</comments>
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]]></description>
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]]></description>
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]]></description>
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    <link>http://upcoming.yahoo.com/event/3035623/</link>
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    <title>Jul 29, 2009: Frank Fairfield at Hemlock Tavern</title>
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]]></description>
    <guid>http://upcoming.yahoo.com/event/3035644/</guid>
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    <title>Aug 14, 2009: The Fighting Supaks Plus Paleface at Cafe Du Nord</title>
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    <link>http://upcoming.yahoo.com/event/3036396/</link>
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    <guid>http://upcoming.yahoo.com/event/3036498/</guid>
    <link>http://upcoming.yahoo.com/event/3036498/</link>
    <comments>http://upcoming.yahoo.com/event/3036498/#comments</comments>
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    <link>http://upcoming.yahoo.com/event/3036509/</link>
    <comments>http://upcoming.yahoo.com/event/3036509/#comments</comments>
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   <item>
    <title>Sep 16, 2009: Jim Nunally &amp; Dix Bruce at Freight &amp; Salvage</title>
    <description><![CDATA[]]></description>
    <guid>http://upcoming.yahoo.com/event/3036609/</guid>
    <link>http://upcoming.yahoo.com/event/3036609/</link>
    <comments>http://upcoming.yahoo.com/event/3036609/#comments</comments>
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    <description><![CDATA[]]></description>
    <guid>http://upcoming.yahoo.com/event/3036641/</guid>
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    <title>Aug 22, 2009: Valerie Orth Band / Rachel Efron Ensemble Plus Mia and Jonah at Cafe Du Nord</title>
    <description><![CDATA[]]></description>
    <guid>http://upcoming.yahoo.com/event/3036644/</guid>
    <link>http://upcoming.yahoo.com/event/3036644/</link>
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